{"id":30,"date":"2017-03-03T13:45:19","date_gmt":"2017-03-03T13:45:19","guid":{"rendered":"http:\/\/silkemartin.com\/?page_id=30"},"modified":"2024-03-25T19:44:57","modified_gmt":"2024-03-25T19:44:57","slug":"publikationen","status":"publish","type":"page","link":"https:\/\/silkemartin.com\/?page_id=30","title":{"rendered":"Publikationen"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"30\" class=\"elementor elementor-30\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-4d530b78 elementor-section-boxed elementor-section-height-default elementor-section-height-default\" data-id=\"4d530b78\" data-element_type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-100 elementor-top-column elementor-element elementor-element-3b04507f\" data-id=\"3b04507f\" data-element_type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-1deb74 elementor-widget elementor-widget-text-editor\" data-id=\"1deb74\" data-element_type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t<div class=\"elementor-widget-container\">\n\t\t\t<style>\/*! elementor - v3.20.0 - 13-03-2024 *\/\n.elementor-widget-text-editor.elementor-drop-cap-view-stacked .elementor-drop-cap{background-color:#69727d;color:#fff}.elementor-widget-text-editor.elementor-drop-cap-view-framed .elementor-drop-cap{color:#69727d;border:3px solid;background-color:transparent}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap{margin-top:8px}.elementor-widget-text-editor:not(.elementor-drop-cap-view-default) .elementor-drop-cap-letter{width:1em;height:1em}.elementor-widget-text-editor .elementor-drop-cap{float:left;text-align:center;line-height:1;font-size:50px}.elementor-widget-text-editor .elementor-drop-cap-letter{display:inline-block}<\/style>\t\t\t\t<!-- wp:heading {\"level\":5} -->\n<h5>Sie finden alle Publikationen bei <strong><a href=\"https:\/\/uni-erfurt.academia.edu\/SilkeMartin\" target=\"_blank\" rel=\"noopener\">Academia<\/a>.<\/strong><\/h5>\n<!-- \/wp:heading --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:heading {\"textAlign\":\"center\",\"level\":5} -->\n<h4 class=\"has-text-align-center\"><strong>Monographien<\/strong><\/h4>\n<!-- \/wp:heading --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:shortcode -->\n<div class=\"black\" style=\"background:rgba(0, 0, 0, 0); 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Akustis\u00adche Mod\u00adernisierun\u00adgen des Films seit den 1920er Jahren | Sch\u00fcren Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2003 Bilder der Farbe&nbsp;| unter anderem Namen: Silke Egn\u00ader | VDG Weimar&nbsp;(Band 2 serie mod\u00adern\u00ader film, Rei\u00adhen-Hrsg. Lorenz Engell\/Oliver Fahle)<\/p>\n<!-- \/wp:paragraph --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:heading {\"textAlign\":\"center\",\"level\":5} -->\n<h4 class=\"has-text-align-center\"><strong>Herausgaben<\/strong><\/h4>\n<!-- \/wp:heading --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:shortcode -->\n<div class=\"black\" style=\"background:rgba(0,0,0,0); border:solid 0px rgba(0,0,0,0); border-radius:0px; padding:0px 0px 0px 0px;\">\n<div id=\"slider_1159\" class=\"owl-carousel sa_owl_theme owl-pagination-true autohide-arrows\" data-slider-id=\"slider_1159\" style=\"visibility:hidden;\">\n<div id=\"slider_1159_slide01\" class=\"sa_hover_container\" style=\"padding:5% 5%; margin:0px 0%; background-image:url(&quot;https:\/\/silkemartin.com\/wp-content\/uploads\/2022\/08\/97838376577397CJVMx7XA7ZkJ_1280x1280.jpg&quot;); 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(Un-)Vereinbarkeit von Kindern, Care und Krise | mit Sarah Czer\u00adney und Lena Eck\u00adert | Ver\u00adlag Bar\u00adbara Budrich Leverkusen<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021 DIY, Sub\u00adkul\u00adturen und Fem\u00adi\u00adnis\u00admen | mit Sarah Czerney\/Lena Eck\u00adert | alma mar\u00adta press Hamburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2020 Mut\u00adter\u00adschaft und Wis\u00adsenschaft. Die (Un-)Vereinbarkeit von Mut\u00adter\u00adbild und wis\u00adsenschaftlich\u00ader T\u00e4tigkeit | mit Sarah Czerney\/Lena Eck\u00adert | Springer Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 Sch\u00f6n\u00ader Lehren \u2013 gegen\u00addert und gequeert | mit Lena Eck\u00adert | Sch\u00fcren Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2015 Orte. Nicht-Orte. Ab-Orte. Medi\u00adale Veror\u00adtun\u00adgen des Dazwis\u00adchen | mit Anke Stein\u00adborn | Sch\u00fcren Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2014 Film\u00adBil\u00addung | mit Lena Eck\u00adert | Sam\u00admel\u00adband in den Bre\u00admer Schriften zur Filmver\u00admit\u00adtlung | Sch\u00fcren Marburg2009<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 Kiel\u00ader Beitr\u00e4ge zur Film\u00admusik\u00adforschung | Online-Zeitschrift<\/p>\n<!-- \/wp:paragraph --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:heading {\"level\":5} -->\n<h4><strong>Aufs\u00e4tze in Sammelb\u00e4nden und Zeitschriften<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<!-- \/wp:heading --><!-- wp:paragraph -->\n<p>2023 Auf Augen\u00adh\u00f6he lehren? Selb\u00adst\u00adbeobach\u00adtung der eige\u00adnen hier\u00adar\u00adchiesen\u00adsi\u00adblen Lehrhal\u00adtung im Bere\u00adich der Film\/Ageing Stud\u00adies | Hrsg. Tobias Schmohl | Hochschul\u00addidak\u00adtis\u00adche Begleit\u00adforschung | tran\u00adscript Biele\u00adfeld (in Vorbereitung)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2023&nbsp; Reli\u00adgion und Gen\u00adder. Eine Ein\u00adf\u00fchrung | mit Isabel\u00adla Schwaderer\/Katharina Wald\u00adner | Hrsg. Silke Martin\/Isabella Schwaderer\/Katharina Wald\u00adner | Reli\u00adgion und Gen\u00adder: Medi\u00aden \u2013 Kon\u00adstruk\u00adtio\u00adnen \u2013 Erfahrun\u00adgen | Aschen\u00addorff M\u00fcnster<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2022&nbsp;&nbsp;Schol\u00adar\u00adship of Teach\u00ading and Learn\u00ading im Bere\u00adich Kun\u00adst \u2013 Kul\u00adtur \u2013 Medi\u00aden \u2014 Koop\u00ader\u00ada\u00adtion und Dia\u00adlog als Voraus\u00adset\u00adzung fach\u00adspez\u00adi\u00adfis\u00adch\u00ader Lehren\u00adtwick\u00adlung | mit&nbsp;Kris\u00adtine Bal\u00addauf-Bergman\u00adn\/\u00adSophia Wohl\u00adfar\u00adth | Hrsg.&nbsp;Nerea V\u00f6ing\/Sabine Reisas\/Maik Arnold | Schol\u00adar\u00adship of Teach\u00ading and Learn\u00ading. Eine forschungs\u00adgeleit\u00adete Fundierung und Weit\u00ader\u00aden\u00adtwick\u00adlung hochschul(fach)didaktischen Han\u00addelns | Cologne Open Sci\u00adence-Schriften\u00adrei\u00adhe Forschung und Inno\u00adva\u00adtion in der Hochschul\u00adbil\u00addung (FIHB)<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2022&nbsp;&nbsp;Col\u00adlage goes uni\u00adver\u00adsi\u00adty. Eine Lehrver\u00adanstal\u00adtung im Tan\u00addem als Arts-Based Research | mit Johan\u00adna Vedral&nbsp;| Hrsg. Johan\u00adna Vedral\/Katrin Ober\u00adhofer&nbsp;| SchreibR\u00c4UME \u2014 Mag\u00ada\u00adzin f\u00fcr Jour\u00adnal Writ\u00ading, Tage\u00adbuch und Mem\u00adoir&nbsp;| Mag\u00ada\u00adzin 1\/2022 Visu\u00adal Diary &amp; Dream Jour\u00adnal&nbsp;| Ver\u00adlag punktgenau<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2022 Schol\u00adar\u00adship of Teach\u00ading and Learn\u00ading: het\u00ader\u00adar\u00adchis\u00adche Lehrver\u00adanstal\u00adtungs\u00adfor\u00admen in den Film\/Ageing Stud\u00adies | mit Sophia Wohl\u00adfar\u00adth |Hrsg.&nbsp;Uwe Fahr\/Alessandra Kenner\/Holger Angenen\u00adt\/Alexan\u00addraE\u00dfer-L\u00fcghausen | Hochschullehre erforschen! \u2013 Inno\u00adv\u00ada\u00adtive Impulse f\u00fcr das Schol\u00adar\u00adship of Teach\u00ading and Learn\u00ading | Springer Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021 Film\u00adBil\u00addung und Alter(n) \u2014 Forschungszug\u00e4nge und Meth\u00ado\u00add\u00aden eines kun\u00adst\u00adbasierten, par\u00adtizipa\u00adtiv\u00aden und empow\u00adern\u00adden Film\u00adBil\u00addungskonzeptes f\u00fcr \u00e4ltere Men\u00adschen | Hrsg. Vera Gallistl\/Franz Kolland\/Viktoria Parisot&nbsp;| Kul\u00adturg\u00aderon\u00adtolo\u00adgie \u2013 Kul\u00adtur\u00adal\u00adis\u00adtis\u00adche Per\u00adspek\u00adtiv\u00aden auf das Alter(n) im deutschsprachi\u00adgen Raum | Springer VS Ver\u00adlag Berlin\/Heidelberg\/Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021&nbsp; Film\u00adBil\u00addung, Col\u00adlage und Lifewrit\u00ading f\u00fcr \u00e4ltere Men\u00adschen | Hrsg. Weert\u00adje Willms\/Martina Back\u00ades | Kon\u00adtexte kreativ\u00aden Schreibens | Frank und Timme Berlin<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021&nbsp; \u00c4sthetis\u00adche Film\u00adBil\u00addung f\u00fcr \u00e4ltere Men\u00adschen | Hrsg. Kura\u00adto\u00adri\u00adum Deutsche Alter\u00adshil\u00adfe | Fach\u00admagazin ProAl\u00adter&nbsp;| Schw\u00ader\u00adpunk\u00adt\u00adthe\u00adma Kul\u00adturelle Teil\u00adhabe im Alter | med\u00adhochzwei Heidelberg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021&nbsp; Do it your\u00adself! Sub\u00adver\u00adsive Prak\u00adtiken und informelles Wis\u00adsen. Eine Hin\u00adleitung| mit Sarah Czerney\/Lena Eck\u00adert&nbsp;| Hrsg. Sarah Czerney\/Lena Eckert\/Silke Mar\u00adtin | DIY, Sub\u00adkul\u00adturen und Fem\u00adi\u00adnis\u00admen&nbsp;| mar\u00adta press Hamburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2021&nbsp; Schreiben als Empow\u00ader\u00adment im Autor*innenkollektiv | mit Lena Eck\u00adert | Hrsg. Sarah Czerney\/Lena Eckert\/Silke Mar\u00adtin | DIY, Sub\u00adkul\u00adturen und Fem\u00adi\u00adnis\u00admen | mar\u00adta press Hamburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2020&nbsp;&nbsp;Ler\u00adnen auf Augen\u00adh\u00f6he. Entwick\u00adlung eines fach\u00addi\u00addak\u00adtis\u00adchen (Dis-)Kurses \u00fcber Lehren und Ler\u00adnen im Bere\u00adich Medi\u00aden, Kun\u00adst und Kul\u00adtur |&nbsp; mit Kris\u00adtine Bal\u00addauf-Bergmann&nbsp;| Hrsg. Lehre hoch n: Ler\u00adnen im Hochschulzusam\u00admen\u00adhang | Quart Hamburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2020&nbsp; Mut\u00adter\u00adschaft und Wis\u00adsenschaft. Eine Ein\u00adf\u00fchrung | mit Sarah Czer\u00adney \/Lena Eck\u00adert | Hrsg. Sarah Czerney\/Lena Eckert\/Silke Mar\u00adtin | Mut\u00adter\u00adschaft und Wis\u00adsenschaft.&nbsp;Die Unvere\u00adin\u00adbarkeit von Mut\u00adter\u00adbild und wis\u00adsenschaftlich\u00ader T\u00e4tigkeit | Springer Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2020&nbsp; Filmic migra\u00adtion and wan\u00adder\u00adings sounds: the rela\u00adtion between accent\u00aded and dialect cin\u00ade\u00adma | Hrsg. Doru Pop \/Mirna Solic | Poet\u00adics of the Bor\u00adders: Meet\u00ading Points and Rep\u00adre\u00adsen\u00adta\u00adtion\u00adal Bor\u00adder-Cross\u00adings in Con\u00adtem\u00adpo\u00adrary Cen\u00adtral and East\u00adern Euro\u00adpean Cin\u00ade\u00adma&nbsp;| Ekphra\u00adsis | Online-Zeitschrift<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2019&nbsp; Schreib_Gespr\u00e4ch | mit Lena Eck\u00adert | Hrsg. Chris\u00adt\u00adian Wymann&nbsp;|&nbsp;Prax\u00adis\u00adhand\u00adbuch Schreib\u00addi\u00addak\u00adtik: \u00dcbun\u00adgen zur Ver\u00admit\u00adtlung wis\u00adsenschaftlich\u00ader Schreibkom\u00adpe\u00adten\u00adzen&nbsp;| Ver\u00adlag Bar\u00adbara Budrich Opladen\/Toronto<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2019&nbsp; Habi\u00adtus- und diver\u00adsit\u00e4tssen\u00adsi\u00adble Hochschullehre in den Kul\u00adtur\u00adwis\u00adsenschaften | mit Lena Eck\u00adert | Hrsg. Birte Heidkamp\/David Kergel |&nbsp;Prax\u00adis\u00adhand\u00adbuch Habi\u00adtussen\u00adsi\u00adbil\u00adit\u00e4t und Diver\u00adsit\u00e4t in der Hochschullehre | Springer VS Ver\u00adlag Berlin\/Heidelberg\/Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2019&nbsp; Film\u00adBil\u00addung und Action Research | mit Lena Eck\u00adert | Hrsg. Clau\u00addia Schomaker\/<br>Maren Old\u00aden\u00adburg | Forschen, Reflek\u00adtieren, Bilden: Forschen\u00addes Ler\u00adnen in der diver\u00adsit\u00e4tssen\u00adsi\u00adblen Hochschul\u00adbil\u00addung | Schnei\u00adder Hohengehren<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2018&nbsp; Film-edu\u00adca\u00adtion and age(ing): case stud\u00adies of uni\u00adver\u00adsi\u00adty cours\u00ades on Film\u00adBil\u00addung | mit Lena Eck\u00adert |&nbsp;Film Edu\u00adca\u00adtion<br>Jour\u00adnal | Vol\u00adume 1 Num\u00adber 2 | UCL IOE Press | https:\/\/doi.org\/10.18546\/FEJ.01.2.05<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2018 &nbsp;Doing Age\/Doing Desire in and trough Film | mit Lena Eck\u00adert | Hrsg. Grit H\u00f6ppner\/Monika Urban | Mate\u00adri\u00adal\u00adi\u00adties of Age and Age\u00ading&nbsp; | Fron\u00adtiers in Soci\u00adol\u00ado\u00adgy | Online-Zeitschrift |&nbsp;https:\/\/www.frontiersin.org\/articles\/10.3389\/fsoc.2018.00010\/full<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2018 Raum: Topogra\u00adphie und Topolo\u00adgie des Films \u2013 Geopoli\u00adtik des Kinos | mit Matthias Chris\u00adten | Hrsg. Bern\u00adhard Gro\u00df\/Thomas Morsch | Hand\u00adbuch Filmthe\u00ado\u00adrie | Springer Wiesbaden<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 &nbsp;\u00dcber Japan reden. Gespr\u00e4ch \u00fcber den Film Kirschbl\u00fcten \u2013 Hana\u00admi von Doris D\u00f6r\u00adrie | mit Kayo Adachi-Rabe | Rab\u00adbit Eye \u2014 Zeitschrift f\u00fcr Film\u00adforschung Nr. 8 | Online-Zeitschrift<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 &nbsp;Bilder des Begehrens \u2013 doing age\/doing desire | mit Lena Eck\u00adert | Hrsg. Hen\u00adri\u00adette Herwig\/Andrea von H\u00fclsen-Esch | Alte im Film und auf der B\u00fchne | tran\u00adscript Bielefeld<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 &nbsp;Sch\u00f6n\u00ader Lehren \u2014 gegen\u00addert und gequeert. Eine Ein\u00adf\u00fchrung | mit Lena Eck\u00adert | Hrsg. Lena Eckert\/Silke Mar\u00adtin | Sch\u00f6n\u00ader Lehren \u2013 gegen\u00addert und gequeert | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2016 &nbsp;Gen\u00adderqueer lehren. Ein Gespr\u00e4ch| mit Lisa Con\u00adrad u.a. | Hrsg. Lena Eckert\/Silke Mar\u00adtin | Sch\u00f6n\u00ader Lehren \u2013 gegen\u00addert und gequeert | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2015 &nbsp;New Persepec\u00adtives on Teach\u00ading Film Edu\u00adca\u00adtion | mit Lena Eck\u00adert | Con\u00adfer\u00adence Pro\u00adceed\u00adings. The Future of Edu\u00adca\u00adtion | Libre\u00adria uni\u00adver\u00adsi\u00adtaria edi\u00adzioni |&nbsp;Padua<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2015 &nbsp;Ab-Orte. De-Lokalisierun\u00adgen zwis\u00adchen Ver- und Entor\u00adtung | mit Anke Stein\u00adborn | Hrsg. Silke Martin\/Anke Stein\u00adborn | Orte. Nicht-Orte. Ab-Orte. Medi\u00adale Veror\u00adtun\u00adgen des Dazwis\u00adchen | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2015 &nbsp;Filmis\u00adches Erin\u00adnern und kuli\u00adnar\u00adische Zukun\u00adft\u00adsen\u00adtw\u00fcrfe im Alter| mit Lena Eck\u00adert | Kino und Erin\u00adnerung | Schriften\u00adrei\u00adhe Augen-Blick | Nr. 61 | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2015 &nbsp;Vom super\u00adchamp zum hors-son oder wie Kl\u00e4nge Bilder erzeu\u00adgen | Hrsg. Rain\u00ader Winter\/Olaf Sanders | Bewe\u00adgungs\u00adbilder nach Deleuze | Her\u00adbert von Halem Ver\u00adlag&nbsp;K\u00f6ln<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2014 &nbsp;Das Ver\u00adschwinden des Mannes in der Land\u00adschaft \u2013 Film\u00e4s\u00adthetis\u00adche und gen\u00adderthe\u00ado\u00adretis\u00adche Speku\u00adla\u00adtio\u00adnen \u00fcber die Berg\u00adsteiger\u00adlegende Rein\u00adhold Mess\u00adner in Nan\u00adga Par\u00adbat (D 2010, Joseph Vils\u00admaier) | mit Lena Eck\u00adert | Hrsg. Johann Georg Lughofer | Das Erschreiben der Berge. Die Alpen in der deutschsprachi\u00adgen Lit\u00ader\u00adatur | inns\u00adbruck uni\u00adver\u00adsi\u00adty&nbsp;press<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2014 &nbsp;Ver\u00admit\u00adtlung der Ver\u00admit\u00adtlung. Ein Ver\u00adsuch zur Film\u00adbil\u00addung | mit Lena Eck\u00adert | Hrsg. Lena Eckert\/Silke Mar\u00adtin | Film\u00adBil\u00addung | Sam\u00admel\u00adband in der Bre\u00admer Rei\u00adhe | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2013 &nbsp;\u00dcber das H\u00f6ren im Kino \u2013 eine Ein\u00adf\u00fchrung in die Tonanalyse des Films | Hrsg. Franz Grafl\/Martina Las\u00adsach\u00ader | Kino erleben und begreifen. Fil\u00adm\u00adanalyse mit Kindern und Jugendlichen | Fac\u00adul\u00adtas Ver\u00adlag&nbsp;Wien<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2013 &nbsp;Vom Bergki\u00adno des Sehens zum Bergki\u00adno des Tas\u00adtens \u2014 Wet\u00adter- und Natur\u00adbilder in H\u00f6hen\u00adfeuer (CH 1985, Fre\u00addi M. Mur\u00ader) | Kun\u00adst\u00adtexte | E\u2011Journal f\u00fcr Kun\u00adst- und Bildgeschichte<span style=\"color: #000000;\">| <a style=\"color: #000000;\" href=\"http:\/\/edoc.hu-berlin.de\/kunsttexte\/2013-1\/martin-silke-3\/PDF\/martin.pdf\">http:\/\/edoc.hu-berlin.de\/kunsttexte\/2013\u20131\/martin-silke\u20113\/PDF\/martin.pdf<\/a><\/span><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;\u00dcber\u00adlegun\u00adgen zur hybri\u00adden Form des ver\u00admeintlich ersten Ton\u00adfilms The Jazz Singer (USA 1927, Alan Crosland) | Hrsg. Stephanie Schroedter | Bewe\u00adgun\u00adgen zwis\u00adchen H\u00f6ren und Sehen. Denkbe\u00adwe\u00adgun\u00adgen \u00fcber Bewe\u00adgungsk\u00fcn\u00adste| K\u00f6nigshausen &amp; Neu\u00admann W\u00fcrzburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;Alpen\u00adloop\u00adings in Heimatk\u00adl\u00e4nge (CH\/D 2007, Ste\u00adfan Schwi\u00adetert) \u2013 \u00dcber\u00adlegun\u00adgen zum Jodeln als Glob\u00adal\u00adisierungs\u00adbe\u00adwe\u00adgung zwis\u00adchen Tra\u00addi\u00adtion und Exper\u00adi\u00adment | SAMPLES Online-Pub\u00adlika\u00adtio\u00adnen des Arbeit\u00adskreis Studi\u00adum Pop\u00adul\u00e4r\u00ader Musik e.V. (ASPM) | Jahrgang 11 | http:\/\/aspm.ni.lo-net2.de\/samplesii\/Samples11\/martin.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;Die Stille, das Ger\u00e4usch und die Poly\u00adglossie \u2014 Play\u00adtime (Tatis Her\u00adrliche Zeit\u00aden, 1967) | Hrsg. Simon Frisch\/Tim Rau\u00adpach | Revi\u00adsio\u00adnen \u2013 Relek\u00adt\u00fcren \u2014 Per\u00adspek\u00adtiv\u00aden | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;Audio\u00advi\u00adsuelle Br\u00fcche: Zur Selb\u00adstre\u00adflex\u00adiv\u00adit\u00e4t des mod\u00ader\u00adnen Films in Chronique d\u2018un \u00e9t\u00e9 (Chronik eines Som\u00admers, F 1961, Edgar Morin\/Jean Rouch) | Hrsg. Tarek Krohn\/ Willem Strank | Film und Musik als mul\u00adti\u00adme\u00addi\u00adaler Raum | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;Alpen\u00adloop\u00adings in Heimatk\u00adl\u00e4nge (CH\/D 2007, Ste\u00adfan Schwi\u00adetert) \u2013 \u00dcber\u00adlegun\u00adgen zum Jodeln als Glob\u00adal\u00adisierungs\u00adbe\u00adwe\u00adgung zwis\u00adchen Tra\u00addi\u00adtion und Exper\u00adi\u00adment | Kiel\u00ader Beitr\u00e4ge zur Film\u00admusik\u00adforschung 8 | Online-Zeitschrift | http:\/\/www.filmmusik.uni-kiel.de\/KB8\/KB8-Martin.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2010 &nbsp;Audio\u00advi\u00adsuelle Br\u00fcche: Zur Selb\u00adstre\u00adflex\u00adiv\u00adit\u00e4t des mod\u00ader\u00adnen Films in Chronique d\u2018un \u00e9t\u00e9 (Chronik eines Som\u00admers, F 1961, Edgar Morin\/Jean Rouch) | Kiel\u00ader Beitr\u00e4ge zur Film\u00admusik\u00adforschung 6 | Online-Zeitschrift | http:\/\/www.filmmusik.uni-kiel.de\/KB6\/KB6-Martin.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2010 &nbsp;Das hors-son oder die Entste\u00adhung des akustis\u00adchen Raums im Film | Rab\u00adbit Eye \u2014 Zeitschrift f\u00fcr Film\u00adforschung Nr. 2 | Online-Zeitschrift | http:\/\/www.rabbiteye.de\/2010\/2\/martin_akustischer_raum.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2009 &nbsp;Die Manip\u00adu\u00adla\u00adtion und Dif\u00adferenz von Bild und Ton im cin\u00e9\u00adma v\u00e9rit\u00e9 \u2014 Chronique d\u2018un \u00e9t\u00e9 (Chronik eines Som\u00admers, 1961) | Hrsg. Peter Klimczak\/Stephanie Gro\u00df\u00admann | Medi\u00aden \u2013 Texte \u2013 Kon\u00adtexte | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2009 &nbsp;\u00dcber\u00adlegun\u00adgen zur hybri\u00adden Form des ver\u00admeintlich ersten Ton\u00adfilms The Jazz Singer (USA 1927, Alan Crosland) | Kiel\u00ader Beitr\u00e4ge zur Film\u00admusik\u00adforschung 3 | Online-Zeitschrift | http:\/\/www.filmmusik.uni-kiel.de\/kielerbeitraege3\/KB3-Martin.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2008 &nbsp;Vom klas\u00adsis\u00adchen Film zur Zweit\u00aden Mod\u00aderne \u2014 \u00dcber\u00adlegun\u00adgen zur Dif\u00adferenz von Bild und Ton im Film | Kiel\u00ader Beitr\u00e4ge zur Film\u00admusik\u00adforschung 2 | Online-Zeitschrift | http:\/\/www.filmmusik.uni-kiel.de\/kielerbeitraege2\/KB2-Martin.pdf<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2007 &nbsp;Die Sicht\u00adbarkeit des Tons im Film \u2014 Akustis\u00adche Mod\u00adernisierun\u00adgen des Film seit den 1920er Jahren | Hrsg. Andreas R. Becker\/Doreen Hartmann\/Don Cecil Lorey\/Andrea Nolte | Medi\u00aden \u2013 Diskurse \u2014 Deu\u00adtun\u00adgen | Sch\u00fcren Ver\u00adlag Marburg<\/p>\n<!-- \/wp:paragraph --><!-- wp:spacer {\"height\":\"25px\"} -->\n<div class=\"wp-block-spacer\" style=\"height: 25px;\" aria-hidden=\"true\">&nbsp;<\/div>\n<!-- \/wp:spacer --><!-- wp:paragraph -->\n<h4><strong>Kleinere Texte, Miszellen, Lexikonbeitr\u00e4ge<\/strong><\/h4>\n<p>&nbsp;<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2014 &nbsp;ZFM-Review zur Tagung Cos\u00admopoli\u00adtan Cin\u00ade\u00adma. Arts and Pol\u00adi\u00adtics in the Sec\u00adond Moder\u00adni\u00adty an der Uni\u00adver\u00adsit\u00e4t Bayreuth | Online-Rezen\u00adsion der Gesellschaft f\u00fcr Medi\u00aden\u00adwis\u00adsenschaft | <span style=\"color: #000000;\"><a style=\"color: #000000;\" href=\"http:\/\/www.zfmedienwissenschaft.de\">http:\/\/www.zfmedienwissenschaft.de<\/a><\/span><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2013 &nbsp;Wie ent\u00adstand das Jodeln? | Inter\u00adview | Nachricht\u00adensender ntv<\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;super\u00adchamp | Lexikon der Film\u00adbe\u00adgriffe | Online-Lexikon der Chris\u00adt\u00adian-Albrecht-Uni\u00adver\u00adsit\u00e4t zu Kiel&nbsp;<span style=\"color: #000000;\">|&nbsp;<a style=\"color: #000000;\" href=\"http:\/\/filmlexikon.uni-kiel.de\/\">http:\/\/filmlexikon.uni-kiel.de\/<\/a><\/span><\/p>\n<!-- \/wp:paragraph --><!-- wp:paragraph -->\n<p>2012 &nbsp;hors-son | Lexikon der Film\u00adbe\u00adgriffe | Online-Lexikon der Chris\u00adt\u00adian-Albrecht-Uni\u00adver\u00adsit\u00e4t zu Kiel&nbsp;<span style=\"color: #000000;\">|&nbsp;<a style=\"color: #000000;\" href=\"http:\/\/filmlexikon.uni-kiel.de\/\">http:\/\/filmlexikon.uni-kiel.de\/<\/a><\/span><\/p>\n<!-- \/wp:paragraph -->\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"<p>Sie find\u00aden alle Pub\u00adlika\u00adtio\u00adnen bei Acad\u00ade\u00admia. Mono\u00adgra\u00adphien 2017 Berg und Film. \u00c4sthetik und Kul\u00adtur von H\u00f6hen\u00adland\u00adschaft im deutschsprachi\u00adgen Film der Gegen\u00adwart | Sch\u00fcren Mar\u00adburg 2010 Die Sicht\u00adbarkeit des Tons im Film. Akustis\u00adche Mod\u00adernisierun\u00adgen des Films seit den 1920er Jahren | Sch\u00fcren Mar\u00adburg 2003 Bilder der Farbe&nbsp;| unter anderem Namen: Silke Egn\u00ader | VDG Weimar&nbsp;(Band 2&nbsp;[\u2026]<\/p>\n","protected":false},"author":1,"featured_media":1462,"parent":18,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"wp_typography_post_enhancements_disabled":false,"footnotes":""},"_links":{"self":[{"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/pages\/30"}],"collection":[{"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/silkemartin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=30"}],"version-history":[{"count":132,"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions"}],"predecessor-version":[{"id":2031,"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/pages\/30\/revisions\/2031"}],"up":[{"embeddable":true,"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/pages\/18"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/silkemartin.com\/index.php?rest_route=\/wp\/v2\/media\/1462"}],"wp:attachment":[{"href":"https:\/\/silkemartin.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}